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Banjos, A Witty Invention- Printable PDF

Fretted instruments with a drum-like body, strings supported by a bridge resting on the head, and extending over a neck appear in many cultures. They have been used in ancient times and are in use today. The forerunner of the banjo came from Africa. The akonting, currently played in Senegal and Gambia in West Africa is similar in appearance and construction to the banjo. Players of the akonting use a technique unmistakeably related to stroke styles, the earliest known banjo technique.

On the left is an akonting. On the right is an artifact currently housed at the Rijksmuseum voor Volkenkunde in Leiden, Holland. Note the short string, a precursor of the modern fifth string. Images courtesy of Ulf Jagfors.

What is a banjo?
The Five String Banjo

All banjos are considered part of the lute family of instruments. The banjo developed in America during colonial times. Five string banjos probably preceded Joel Walker Sweeney. The painting “The Banjo Man” by James Warrell is dated 1813, and depicts a five string banjo. Three major types of banjo have been invented: the five string, the plectrum banjo, and the tenor banjo. Other types of banjos fall within these categories, or are the hybrids, or hyphenated banjos. A five string banjo is pictured below. Through the history of the instrument a great variety of five string models and styles have been developed.

S. S. Stewart Special Thoroughbred Banjo, 1896
From S. S. STEWART’S EXTRA FINE BANJOS catalog reprint, 1973. Used by permission.

Most five string banjos played today have these features:

  1. Four long strings, and a shorter string, the fifth string.
  2. Twenty two frets. Technically, they are “fret wires”, set snugly in the fingerboard.
  3. The rim or “shell”, a hoop.
  4. Bracket hooks adjusted to keep tension on the banjo head (the drum head) by means of the stretcher band or tension hoop.

What is a banjo?
The Plectrum Banjo

The precise appearance of the plectrum banjo is as yet unknown. The plectrum banjo is a four string banjo, usually tuned like the five string banjo in standard C tuning––CGBd. Late in the 19th century, players removed their fifth string, and played with a flat pick (plectrum) or thimble in several varieties of music. The plectrum banjo appeared in jazz bands and orchestras prior to World War I. Plectrum banjo manufacture was plentiful during the 1920’s, though tenor banjos outnumbered them by about 11 to 1.
Plectrums are usually made with a resonator, the sounding board fastened to the back of the banjo rim.

The great Joe Roberts with his No. 6 B & D Ne Plus Ultra Silver Bell plectrum banjo

Plectrum banjos usually have 22 frets. The strength of the plectrum banjo is in chord voicings. The harmonies are “…almost equal to the Piano [sic] in obtaining pretty chord effects…” according to Charles McNeil, author of the superb McNeil Chord System books for plectrum and tenor banjos.

What is a banjo?
The Tenor Banjo

In Ireland, as early as the 1840’s, minstrel banjos were re-tuned in fifths, pitched an octave lower than a violin, G’DAe. The fifth string was discarded. Accounts of this era relate that the tuning was used, as fiddle fingerings were easily transferred to the banjo. In the United States, the tenor banjo probably originated both from the banjo-mandolin, and as an altered banjeaurine. The shorter scale length banjeaurine, designed for use in banjo orchestras, is tuned a fourth higher than the standard banjo, c’Fceg. The viola tuning, CGda, became the standard for the tenor banjo. The first tenor banjos were made in 1885 by John Farris in Connecticut. Tenor banjos began to be manufactured in earnest about 1910, meeting demands of popular music trends toward American jazz. A violinist, cellist or violist could find employment playing the tenor banjo in a jazz band in those vintage years.

Both the Celtic and American versions of the tenor banjo were and are played with a thimble or plectrum (flat pick) rather than with the fingers or the stroke technique.

The tenor banjo lends itself best to linear or homophonic music. The tuning in fifths enables easy access and commonly established fretting from the bowed instrument family.

A Weymann Tenor Banjo

 

 

 

 
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